Adrián Guerrero

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Reacomodos JCO

JCO rearrangements are part of the deconstruction of José Clemente Orozco's Pueblo Mexicano as a strategy of analysis rather than fragmentation. The image is understood as a system where geometry, rhythm, and tension organize its internal structure. By isolating and reorganizing its elements, the underlying frameworks become visible, in line with Jay Hambidge's dynamic symmetry, adopted by Orozco as a method. Beauty, thus, is revealed not only as a symbol but as a construction. The resulting pieces do not seek to reconstruct the original image, but to generate new visual relationships in dialogue with Mexican modernity and its echoes in architecture and photography. In these reconfigurations, resonances appear with Barragán, González Gortázar, or Figueroa, evidencing that every work is part of a continuous system. Deconstruction is then proposed as a form of continuity: a way of understanding the image as an open network in time.

2 works in the series