Daniel Domingo Schweitzer

Daniel Domingo Schweitzer

Sculptural explorations of space and form, where material and geometry redefine the viewer's sensory experience.

Space Torsion (Bright Chrome I)

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Space Torsion (Bright Chrome I)

Hierro cromado, 60 x 30 cm

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Latest series

Solid Unfoldings

Solid Unfoldings brings together a collection of geometric sculptures in which Daniel Domingo works from the idea of “unfolding” volume: opening the solid and extending it into space so that its planes, edges, and internal relationships are exposed. The series materializes in pieces made of brass and stainless steel, as well as works in iron and brass, where geometric language functions as a structural system that transforms as its position, scale, and spatial tension change. In this corpus, the solid ceases to be a closed form and becomes an expanding three-dimensional map: a structure that opens and reorganizes itself, maintaining precise constructive logic but showing its fragility in the face of the unfolding gesture. Geometry thus appears as a language for thinking about space through the articulation of modules, voids, and rhythms, inviting the viewer to mentally reconstruct the volume from its unfolded fragments.

5 works in the series

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Space Torsion (Bright Chrome I)

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Daniel Domingo Schweitzer develops sculptural compositions and two-dimensional works. The relationship he establishes with space and the viewer is mediated by the importance of material and geometric forms. At Saisho, he presents two projects, "Organisms and Fractals" and "Torsions of Space," which question "How do we create space?" through the investigation of concepts such as the body, material, space, and form. He has presented his work at the Contemporary Art Space (EAC) in Alicante and participated in renowned fairs like Hybrid in Madrid. His work is held in collections such as the Fundación ACB and the Antonio Gala Foundation (Córdoba). He is also a member of La Colmena (Madrid 2015), a cultural platform with which he has held several exhibitions.

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