Pablo Llana

Pablo Llana

Transforming consumer waste into potent visual critiques of capitalist excess and societal degradation.

Exhibitions

Bienal internacional de estandartes

Bienal internacional de estandartes

2014

Fijacion Oral

Available work

Fijacion Oral

Collage, Resina on madera, Envolturas recicladas, 140 x 190 cm

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Latest series

Contemporary Still Life

Pablo Llana constructs visually seductive still lifes with fast-food waste: shiny wrappers encapsulated in resin that simulate food bathed in almost advertising-like light. However, the dark background that surrounds them alludes to a persistent ignorance: the lack of awareness about the real effects of ultra-processed consumption. His work is a direct critique of the desire mechanisms of visual capitalism. By using the system's own remains, Llana transforms waste into language and denunciation, revealing that beneath the promise of pleasure lies a culture of excess and emptiness.

9 works in the series

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Fijacion Oral

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Pablo Llana's artistic practice is built upon a critical and deeply documented view of the excesses of the capitalist system. His work stems from field research into consumer and waste culture, addressing contemporary phenomena such as obesity, globalization, and neo-colonization. With sharp and subtle irony, Llana transforms ultra-processed food wrappers into raw material for visual compositions that highlight the contradiction between commercial appeal and social degradation. Through a meticulous process of collection and recycling, the artist transforms food product packaging into images that act as mirrors of our consumption dynamics. His work, with a direct yet multi-layered language, unfolds in various formats ranging from installation to collage and sculpture. Originally from Tijuana, a living border between Mexico and the United States, Llana has made his geopolitical context a central motivation for his production. His work has been exhibited in cities such as Mexico City, Oaxaca, Monterrey, as well as in the United States, Italy, and Germany. Currently, his work is part of the permanent collection of the Tijuana Cultural Center (CECUT).

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