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Pablo ÁlvarezQuoted market with traceable prices
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View full analysisArtwork details
- Measurements
- 195 x 195 cm
- Discipline
- Pintura
- Styles
- Neofiguración
- Supports
- Lino
- Techniques
- Óleo
- Year
- 2026
- Rationale
- Hunted Hunter presents a wooded landscape in which the main figure is a deer, positioned in the foreground. A flat, strongly defined shadow appears over the landscape, as if the scene were being photographed or illuminated by an artificial spotlight. This shadow reveals that the landscape once again functions as a backdrop, a trompe-l'œil, closer to a stage background than a real space. The deer acts as the central metaphor of the work. Traditionally understood as the object of the hunt, here it ceases to be pursued to become the protagonist, the main motif of the image. It is not fleeing or hiding; it looks directly at us and smiles, reinforcing the idea of a meta-image and the awareness of being observed and represented. The metaphor of the hunt has a personal origin. For more than ten years, I worked as a waiter in places where there were tapestries of hunting scenes, images that have always made a strong impression and caused me displeasure. In this painting, these references are inverted: the deer is no longer hunted, but portrayed, moving from decorative object to active subject of the scene. In the background appears the silhouette of Cerro Torre, one of the most emblematic peaks in mountaineering. Its presence introduces another reading of the hunt, understood not as a physical practice but as a hunt for experiences, a contemporary attitude in which we accumulate achievements, images, and experiences as symbolic trophies. In the treatment of the trees, there is a direct reference to Emma Webster, a painter I have followed for a long time and to whom I consciously pay homage in this work. Her influence reinforces the idea of landscape as an artificial construction, laden with layers, gestures, and visible decisions. The work thus proposes a reflection on landscape, representation, and desire: who looks, who is looked at, and what it means today to occupy the center of the image.
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This artwork ships from Spain.
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Artist
Pablo Álvarez
After studying Fine Arts and Interior Design at Antonio de Nebrija University, where he graduated in 2018, he continued his education with a Master's in Research in Art and Creation (2024), consolidating a career that combines artistic practice and theoretical reflection. Since the beginning of his career, he has sought experiences that broaden his perspective, participating in international projects such as ¿Cómo enseñar y hacer fotografía? (How to teach and make photography?) in Piura, Peru (2020) and a documentary photography program in rural areas with Erasmus+ in Dilijan, Armenia (2019). These experiences marked a line of work attentive to social issues and modes of representation in diverse contexts. His work has been presented in various solo and group exhibitions in Spain, and has received recognition from institutions and competitions. In 2024, he exhibited his work at Galería My Name’s Lolita (Madrid), and in previous years participated in shows such as the Pozuelo de Alarcón Painting Competition (where he won third prize in 2023), the Moncloa Cultural Center (Madrid, 2022), and the LXXVII Centelles Painting Competition (Barcelona, 2019). In Logroño, he was awarded third prize in the XXXIV Young Art Showcase La Rioja (2018), and in Segovia, he was part of a group exhibition and an artistic residency at AP Gallery (2017). His artistic practice is characterized by an interest in the intersection of image, memory, and territory, exploring through painting and photography ways of inhabiting, narrating, and reinterpreting contemporary experience. With a career that spans from international projects to national competition awards, he continues to develop work that dialogues between aesthetic research and the cultural transformations of our time.
View full profileOther works by the artist
Pablo Álvarez
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