Paulina Cerda

Paulina Cerda

Exploring painterly gestures and fragmented forms, Cerda constructs perceptual spaces where memory and materiality converge.

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Acrílico on lino, 130 x 130 cm

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The Form of the Echo

An echo is not just a sound that returns; it is memory vibrating in another time, it is the form that what has passed takes when it reaches us again. In this exhibition, matter embodies that echo through fragments that seem to float in a suspended instant. From the material to the intimate, from the abstract to the symbolic, her work becomes an echo that returns transformed: laden with emotions, atmospheres, and traces that reveal the beauty of imperfection. The form of the echo reveals through these poetic images the profound connection between imagination, matter, and human experience. The fragment is not just a broken object, but a remnant that contains history and narrative, and that in turn claims presence and a gaze. If before the artist Paulina Cerda invited us to look at the skin of things, now she proposes that we enter their fissures, listen to their echoes, and recognize the power of each fragment.

4 works in the series

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Paulina Cerda is a Chilean visual artist whose work lies between abstraction, materiality, and the illusion of three-dimensional space. Her practice begins with gesture and mark-making as a point of origin, using painting to construct surfaces that transcend the plane and function as active perceptual spaces. One of the key aspects of her work is the use of multiple layers of acrylic to generate depth, light, and shadows that suggest volume and physical presence without abandoning bidimensionality. Throughout her career, the painterly gesture has evolved from suspended and compact forms towards more fragile fragmentations, exploring the memory of movement and the persistence of what breaks. Her work is characterized by a solid coherence between process, form, and content, resulting in an abstraction that does not represent images, but rather constructs visual experiences that are activated by time and the viewer's gaze.

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