Illán Argüello

Illán Argüello

Architectural dreamscapes blending geometry and symbolic color, posing silent questions about perception and inner space.

Four Galleries| Illan Arguello

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Four Galleries| Illan Arguello

Óleo on lienzo, 65 x 81 cm

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El emerger de Venus

The emergence of Venus, by Illán Argüello, is presented at CentroCentro within the EPICENTRO program, a dynamic space of visibility and opportunity conceived for invited artists, which especially promotes mid-career creators and recognizes the solidity of their trajectory and their contribution to the contemporary artistic landscape. The work proposes a visual reflection on a near future in which the artificial and the natural coexist in an ambiguous and dehumanized landscape. Through an iconography of a constructive nature and a precious use of color, the artist constructs a strange and autonomous habitat, where the absence of the human figure allows for an open reading of the uncertain and the unknown.

1 works in the series

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Four Galleries| Illan Arguello

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Illán Argüello's work is based on an artistic exploration where architecture, geometry, and the dreamlike state converge. His plastic universe unfolds almost metaphysical spaces: carefully ordered environments, structures that allude to architectural plans, and plausible artifacts at the edge of the strange. From a technical point of view, Argüello works with a mastery of composition based on geometric axes and a palette that shows a clear symbolic density: each color, each shape, each void or figure seems charged with intention and measure. Architecture—both in its constructive sense and its symbolic dimension—acts as a metaphor for the psyche, for the structural silences underlying our everyday lives. In summary, Argüello's painting not only asks "what do we see?" but "how do we see ourselves?": it proposes that the architecture of the visual refers to the architecture of the interior. His work is a kind of cartography of silence, of structure, and of human susceptibility to space.

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