Sands XIX | Elisa de la Torre

It is a work that speaks of pictorial and philosophical processes, addressing issues such as emptiness, the material quality of the paint crystallization process, and the psychology behind fluid forms. The apparent emptiness and the organic richness in textures highlight a subtle beauty based on the perception of the imperceptible and the significance of the insignificant. This issue is inspired by Marcel Duchamp's infraleve concept, which refers to an interest in the unnoticed and distills a suprematist influence from Malevich. [sands] focuses on the uniqueness of minimal perception, highlighting the insignificant glimmers of crystallized paint that speak of the overwhelming emptiness of white, of the unsettling desert, of infinite sand. In the kintsugi cracks, the 22k gold that highlights its scar, it finds in each of them a story to rescue.