

Reimagining lost architectures through tactile manipulation and photography, questioning the perception of reality and the residue of memory.
Saisho Intelligence
The artist’s overall score out of 10, weighted across quality, market, potential and validation.
Classification of the artist based on the balance between quality and market.
Reliability level of the scoring based on the available data.
Relationship between Saisho and the artist.
Key readings on the artist’s current position and remaining trajectory.
Specific milestones or risks to monitor over the next 12–24 months.
These factors are analysed in detail in the full report.
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Access detailed scoring, economics and the historical evolution of the artist’s market.
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Emilio Pemjean (Santiago de Chile, 1971) conceives his work from a multidisciplinary framework, connecting architecture, painting, video, and photography. The project he presents at Saisho constructs or reconstructs, through manipulation, remnants of now-nonexistent architectures, designing models and photographing them. Pemjean reflects on time, the present, the absent, and memory. In this case, photography abandons its traditional documentary function, capturing "truth," and introduces doubt about what is seen and naively accepted as real.
Explore the career, works, and analysis that define Emilio Pemjean's trajectory