Emilio Pemjean

Emilio Pemjean

Reimagining lost architectures through tactile manipulation and photography, questioning the perception of reality and the residue of memory.

Exhibitions

No tan lejos

No tan lejos

2025

Sección oficial de Photoespaña 2025. COAM, Madrid

Bauen VI, Casa para un dictador

Available work

Bauen VI, Casa para un dictador

Impresión on papel +250 grs/m2, 80 x 80 cm

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Latest series

The Land of the Lotus-Eaters

The Land of the Lotus-Eaters explores territories that extend beyond the limits of the known world, those spaces charged with myths, fears, and projections of the imagination. As in the Homeric tradition, where Ulysses' companions forgot their return after tasting the lotus, the project investigates the desire to inhabit the unknown and the attraction to places that, although disappeared, remain essential to keeping alive the hope that the world retains unexplored areas. In antiquity, maps showed gray patches: incomplete, barely described spaces, where fantastic creatures and impossible landscapes emerged. Today, these voids have disappeared from cartography, but they survive in memory, in archives, and in the need to dream.

2 works in the series

Saisho Intelligence

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Bauen VI, Casa para un dictador

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Emilio Pemjean (Santiago de Chile, 1971) conceives his work from a multidisciplinary framework, connecting architecture, painting, video, and photography. The project he presents at Saisho constructs or reconstructs, through manipulation, remnants of now-nonexistent architectures, designing models and photographing them. Pemjean reflects on time, the present, the absent, and memory. In this case, photography abandons its traditional documentary function, capturing "truth," and introduces doubt about what is seen and naively accepted as real.

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