The work is among the artist's most intimate and emotionally significant, born from a moment of profoundly complex personal decision. In it, life experience is transformed into a symbolic language that highlights the extent to which relationships and internal conflicts permeate the pictorial practice.
The starting point is a displacement both physical and emotional: the move from Australia to London motivated by a relationship that promised a shared future. Over time, doubts about motherhood, experienced more from unease than desire, introduce growing tension that ultimately breaks that common horizon. This uncertainty is not resolved, but remains as the core of the work.
The composition translates this duality through a fragmented self-portrait, in which only part of the face appears, alluding to the two paths opening before the artist. Added to this is the reference to Charity by Francesco de' Rossi, reinterpreted from ambiguity: the childlike figures are barely hinted at, like presences that do not fully materialize, suspended between possibility and renunciation.
The flowers, taken from an image of Highgate Cemetery, introduce the dimension of mourning, as vestiges of something loved that has disappeared. However, the work is not fixed on loss. The ample space occupied by the upper part of the canvas suggests an opening, a kind of relief that comes after the experience.
The piece is thus constructed as a transition, where rupture gives way to reconciliation with oneself. Rather than offering answers, it proposes a way of being in uncertainty through intuition and honesty, allowing a new clarity to emerge from there.
Ella Baudinet is an artist who stands out for seeking Stendhalian aesthetic experiences with her work, through the representation of the sublime, the generation of visual tension throughout her creations, and precise use of chiaroscuro.