Hugo Robledo Gámez

Hugo Robledo Gámez

Hugo Robledo Gámez mines archives of obsolete technologies and architectural plans, translating them into abstract compositions that question progress.

Prototype #4

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Prototype #4

Acrílico on lienzo, 60 x 60 cm

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Celestial Vault
Epílogo para un espacio de asueto
Explanada subyacente
Cobogó #1
Cobogó #2
Canoes
The Sanctuary of Forms
Hinge of the World
Imminent Threshold
Balcony Overlooking Abyss
Celestial Vault
Epílogo para un espacio de asueto

Latest series

Sistema de ilusiones

In Sistemas de ilusiones, Hugo Robledo revisits the imaginary of Latin American modernity to tension its promises and its fissures. The architectural forms that traverse these paintings refer to a language that aspired to order the world from reason, but which, in its historical unfolding, was traversed by contexts of control, propaganda, and ideological construction. What at another time embodied an idea of the future appears here as an unstable system, where formal clarity coexists with a latent unease. The pictorial space is constructed as a precarious balance between rigor and deviation. To structures that suggest constructive logic, chromatic vibrations, slight distortions, and tensions on the surface are superimposed, preventing a closed reading. In this play, painting oscillates between the precise and the uncertain, between the projected and the eroded.

10 works in the series

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Prototype #4

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Mexican artist Hugo Robledo investigates the boundaries between figuration and abstraction in his work, and his pictorial compositions often originate from old illustrated encyclopedias and the Internet, from which he extracts images related to architectural plans, technical diagrams, means of transport, and obsolete technologies. The collapse of the future is a project he has been working on for several years, combining an abstract and geometric language with a reflection on the ideas of architecture, space, progress, and nostalgia, which highlight the contradictory tensions of the era we live in.

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