Last call | Escoto + Carrara

Escoto + Carrara (Roberto Escoto and Federico Carrara) have been working for over a decade at the intersection of photography and painting to reimagine the portrait — with special attention to the feminine universe — within domestic spaces laden with ornamentation. Their chromatic research de-realizes the scene: it inverts palettes, solarizes, and displaces color to the point of making it a threshold between wakefulness and dream. Thus, seemingly everyday images open up to the unsettling and the dreamlike, revealing the ambivalence of the home as a place of intimacy, fantasy, and, at times, tension. The process is a frontal dialogue between mediums: the digital capture coexists with technological manipulation and meticulous translation into oil painting, without hierarchies or submissions. From this pulse emerges a figuration that oscillates between the classical and the contemporary; between pop visual culture and a silent dramaturgy that invites the viewer to complete the gaps with their own experience. In their “cromatonírico” use of color —the emotional nerve of the work— the duo proposes a ritual of gaze: inhabiting the “divine everydayness” and its paradoxes, where the familiar becomes strangeness and the portrait, rather than identity, is a field of possibilities.