{"id":16960,"date":"2019-07-10T08:52:58","date_gmt":"2019-07-10T08:52:58","guid":{"rendered":"https:\/\/www.saishoart.com\/?page_id=16960"},"modified":"2019-07-10T08:52:58","modified_gmt":"2019-07-10T08:52:58","slug":"arquitecturas","status":"publish","type":"page","link":"https:\/\/www.saishoart.com\/es\/blog\/arquitecturas","title":{"rendered":"ARQUITECTURA (S)"},"content":{"rendered":"

 
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La forma de abordar la relaci\u00f3n entre arquitectura y sociedad es el punto de partida de nuestra \u00faltima #curatedsellingexhibition, titulada Arquitectura (s). Contemplar, desde la visi\u00f3n del arte, las din\u00e1micas arquitect\u00f3nicas contempor\u00e1neas nos permiten hacer lecturas antropol\u00f3gicas sobre c\u00f3mo funciona el mundo. Porque las consecuencias en la vida cotidiana, tanto p\u00fablica como privada, de las diferentes transformaciones que han sufrido las ciudades y el paisaje a trav\u00e9s de la arquitectura, son inmensas, as\u00ed como las repercusiones que esto conlleva para todos nosotros. En este sentido, Yuri Tuma parte de la fotograf\u00eda de ciudades y la descompone transform\u00e1ndola en im\u00e1genes abstractas. Coge la ciudad contempor\u00e1nea y la lleva a ser un conjunto de l\u00edneas, un ensamblaje geom\u00e9trico, tejidos, luz y motivos repetidos hasta alcanzar el adecuado nivel de saturaci\u00f3n. Desde hace ya algunos a\u00f1os Lloren\u00e7 Ugas investiga espacios en los que el paisaje ha sufrido graves transformaciones por culpa del crecimiento de la civilizaci\u00f3n, por motivos urban\u00edsticos, pol\u00edticos, tur\u00edsticos o todos ellos a la vez. Realiza una cr\u00edtica a las pol\u00edticas permisivas que han llevado a estos territorios a la forma en la que se encuentran actualmente, planteando por otro lado cu\u00e1l ser\u00e1 su futuro. Por su parte, John Mario Ortiz investiga en su obra los cambios y las transformaciones que han sufrido las ciudades, los l\u00edmites entre lo p\u00fablico y lo privado o la herencia de la modernidad. <\/div><\/div>
En su proyecto \u201cEl derrumbe del futuro\u201d, Hugo Robledo combina un lenguaje abstracto y geom\u00e9trico con la reflexi\u00f3n sobre las ideas de arquitectura, espacio, progreso y nostalgia, que ponen de manifiesto las tensiones contradictorias de la \u00e9poca en que vivimos. Y, aunque H\u00e9ctor Hern\u00e1ndez basa buena parte de su pr\u00e1ctica art\u00edstica en su relaci\u00f3n con la naturaleza, su proyecto \u2018Friluftsliv (o c\u00f3mo convertirse en clima)\u2019 se compone de fotograf\u00edas que documentan caba\u00f1as construidas por \u00e9l mismo, como si de un arquitecto amateur se tratase, con materiales encontrados en el emplazamiento tras un recorrido no preestablecido ni fijado con precisi\u00f3n de varias horas. Emilio Pemjean concibe su trabajo desde un marco multidisciplinar conectando la arquitectura, la pintura, el v\u00eddeo o la fotograf\u00eda. En \u2018Bauen\u2019 construye o reconstruye, mediante la manipulaci\u00f3n, restos de arquitecturas hoy inexistentes dise\u00f1ando maquetas y fotografi\u00e1ndolas. Camilo Barboza, en su serie \u2018Pa\u00eds(aje) 2016- 2019\u2019, responde a sus primeras inmersiones en los Tianguis de la Ciudad de M\u00e9xico y sus alrededores construyendo una arqueolog\u00eda urbana a trav\u00e9s del collage con im\u00e1genes encontradas. Por \u00faltimo, la arquitectura vista desde su parte m\u00e1s \u00edntima es el trabajo que desarrolla Adriana Brant\u00faa. En el \u00faltimo a\u00f1o, la artista ha estado investigando la degradaci\u00f3n f\u00edsica de los espacios arquitect\u00f3nicos y c\u00f3mo el inevitable paso del tiempo lleva consigo la transformaci\u00f3n de los materiales. <\/div><\/div><\/div>\n

 
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\n
<\/div>\n
<\/div>\n\n
\n \n \"Adriana\n <\/a>\n
\n
Adriana Brantuas Arij\u00f3n<\/a><\/div>\n
Reino Unido | Fotograf\u00eda | 50 X 40 CM<\/div>\n
9.2 \u00a2\/cm2<\/span>256 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"Adriana\n <\/a>\n
\n
Adriana Brantuas Arij\u00f3n<\/a><\/div>\n
Reino Unido | Fotograf\u00eda | 50 X 40 CM<\/div>\n
9.2 \u00a2\/cm2<\/span>256 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"Adriana\n <\/a>\n
\n
Adriana Brantuas Arij\u00f3n<\/a><\/div>\n
Reino Unido | Fotograf\u00eda | 50 X 40 CM<\/div>\n
9.2 \u00a2\/cm2<\/span>256 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"Adriana\n <\/a>\n
\n
Adriana Brantuas Arij\u00f3n<\/a><\/div>\n
Reino Unido | Fotograf\u00eda | 50 X 40 CM<\/div>\n
9.2 \u00a2\/cm2<\/span>256 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"Adriana\n <\/a>\n
\n
Adriana Brantuas Arij\u00f3n<\/a><\/div>\n
Reino Unido | Fotograf\u00eda | 50 X 40 CM<\/div>\n
9.2 \u00a2\/cm2<\/span>256 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"Adriana\n <\/a>\n
\n
Adriana Brantuas Arij\u00f3n<\/a><\/div>\n
Reino Unido | Fotograf\u00eda | 50 X 40 CM<\/div>\n
9.2 \u00a2\/cm2<\/span>256 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"Adriana\n <\/a>\n
\n
Adriana Brantuas Arij\u00f3n<\/a><\/div>\n
Reino Unido | Fotograf\u00eda | 50 X 40 CM<\/div>\n
9.2 \u00a2\/cm2<\/span>256 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"Camilo\n <\/a>\n
\n
Camilo Barboza<\/a><\/div>\n
M\u00e9xico | Fotograf\u00eda | 100 X 40 CM<\/div>\n
20.27 \u00a2\/cm2<\/span>1055 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"Camilo\n <\/a>\n
\n
Camilo Barboza<\/a><\/div>\n
M\u00e9xico | Fotograf\u00eda | 100 X 40 CM<\/div>\n
20.27 \u00a2\/cm2<\/span>1055 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"Camilo\n <\/a>\n
\n
Camilo Barboza<\/a><\/div>\n
M\u00e9xico | Fotograf\u00eda | 100 X 50 CM<\/div>\n
20.27 \u00a2\/cm2<\/span>1300 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"Emilio\n <\/a>\n
\n
Emilio Pemjean<\/a><\/div>\n
Espa\u00f1a | Fotograf\u00eda | 80 X 80 CM<\/div>\n
20.78 \u00a2\/cm2<\/span>1685 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"Emilio\n <\/a>\n
\n
Emilio Pemjean<\/a><\/div>\n
Espa\u00f1a | Fotograf\u00eda | 80 X 80 CM<\/div>\n
20.78 \u00a2\/cm2<\/span>1685 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"Emilio\n <\/a>\n
\n
Emilio Pemjean<\/a><\/div>\n
Espa\u00f1a | Fotograf\u00eda | 120 X 120 CM<\/div>\n
20.78 \u00a2\/cm2<\/span>3697 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"Emilio\n <\/a>\n
\n
Emilio Pemjean<\/a><\/div>\n
Espa\u00f1a | Fotograf\u00eda | 90 X 90 CM<\/div>\n
20.78 \u00a2\/cm2<\/span>2113 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"Emilio\n <\/a>\n
\n
Emilio Pemjean<\/a><\/div>\n
Espa\u00f1a | Fotograf\u00eda | 120 X 120 CM<\/div>\n
20.78 \u00a2\/cm2<\/span>3697 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"H\u00e9ctor\n <\/a>\n
\n
H\u00e9ctor Hern\u00e1ndez<\/a><\/div>\n
Espa\u00f1a | Fotograf\u00eda | 60 X 90 CM<\/div>\n
13.15 \u00a2\/cm2<\/span>907 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"H\u00e9ctor\n <\/a>\n
\n
H\u00e9ctor Hern\u00e1ndez<\/a><\/div>\n
Espa\u00f1a | Fotograf\u00eda | 60 X 90 CM<\/div>\n
13.15 \u00a2\/cm2<\/span>907 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"Hugo\n <\/a>\n
\n
Hugo Robledo G\u00e1mez<\/a><\/div>\n
M\u00e9xico | Pintura | 120 X 90 CM<\/div>\n
14.13 \u00a2\/cm2<\/span>1898 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"Hugo\n <\/a>\n
\n
Hugo Robledo G\u00e1mez<\/a><\/div>\n
M\u00e9xico | Pintura | 80 X 200 CM<\/div>\n
14.13 \u00a2\/cm2<\/span>2787 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"Hugo\n <\/a>\n
\n
Hugo Robledo G\u00e1mez<\/a><\/div>\n
M\u00e9xico | Pintura | 120 X 150 CM<\/div>\n
14.13 \u00a2\/cm2<\/span>3129 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"Hugo\n <\/a>\n
\n
Hugo Robledo G\u00e1mez<\/a><\/div>\n
M\u00e9xico | Pintura | 60 X 90 CM<\/div>\n
14.13 \u00a2\/cm2<\/span>975 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"John\n <\/a>\n
\n
John Mario Ortiz<\/a><\/div>\n
Colombia | Arquitectura | 70 X 87 CM<\/div>\n
13.71 \u00a2\/cm2<\/span>2880 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"John\n <\/a>\n
\n
John Mario Ortiz<\/a><\/div>\n
Colombia | Arquitectura | 70 X 110 CM<\/div>\n
13.71 \u00a2\/cm2<\/span>3606 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"Lloren\u00e7\n <\/a>\n
\n
Lloren\u00e7 Ugas Dubreuil<\/a><\/div>\n
Espa\u00f1a | Fotograf\u00eda | 20 X 30 CM<\/div>\n
24.75 \u00a2\/cm2<\/span>270 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"Lloren\u00e7\n <\/a>\n
\n
Lloren\u00e7 Ugas Dubreuil<\/a><\/div>\n
Espa\u00f1a | Fotograf\u00eda | 60 X 80 CM<\/div>\n
24.75 \u00a2\/cm2<\/span>1527 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"Lloren\u00e7\n <\/a>\n
\n
Lloren\u00e7 Ugas Dubreuil<\/a><\/div>\n
Espa\u00f1a | Fotograf\u00eda | 20 X 30 CM<\/div>\n
24.75 \u00a2\/cm2<\/span>270 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"Lloren\u00e7\n <\/a>\n
\n
Lloren\u00e7 Ugas Dubreuil<\/a><\/div>\n
Espa\u00f1a | Fotograf\u00eda | 20 X 30 CM<\/div>\n
24.75 \u00a2\/cm2<\/span>270 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"Lloren\u00e7\n <\/a>\n
\n
Lloren\u00e7 Ugas Dubreuil<\/a><\/div>\n
Espa\u00f1a | Fotograf\u00eda | 20 X 30 CM<\/div>\n
24.75 \u00a2\/cm2<\/span>270 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"Lloren\u00e7\n <\/a>\n
\n
Lloren\u00e7 Ugas Dubreuil<\/a><\/div>\n
Espa\u00f1a | Fotograf\u00eda | 20 X 30 CM<\/div>\n
24.75 \u00a2\/cm2<\/span>270 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"Lloren\u00e7\n <\/a>\n
\n
Lloren\u00e7 Ugas Dubreuil<\/a><\/div>\n
Espa\u00f1a | Fotograf\u00eda | 60 X 80 CM<\/div>\n
24.75 \u00a2\/cm2<\/span>1527 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"Lloren\u00e7\n <\/a>\n
\n
Lloren\u00e7 Ugas Dubreuil<\/a><\/div>\n
Espa\u00f1a | Fotograf\u00eda | 20 X 30 CM<\/div>\n
24.75 \u00a2\/cm2<\/span>270 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"Lloren\u00e7\n <\/a>\n
\n
Lloren\u00e7 Ugas Dubreuil<\/a><\/div>\n
Espa\u00f1a | Fotograf\u00eda | 20 X 30 CM<\/div>\n
24.75 \u00a2\/cm2<\/span>270 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"Lloren\u00e7\n <\/a>\n
\n
Lloren\u00e7 Ugas Dubreuil<\/a><\/div>\n
Espa\u00f1a | Fotograf\u00eda | 20 X 30 CM<\/div>\n
24.75 \u00a2\/cm2<\/span>270 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"Lloren\u00e7\n <\/a>\n
\n
Lloren\u00e7 Ugas Dubreuil<\/a><\/div>\n
Espa\u00f1a | Fotograf\u00eda | 60 X 80 CM<\/div>\n
24.75 \u00a2\/cm2<\/span>1527 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"Lloren\u00e7\n <\/a>\n
\n
Lloren\u00e7 Ugas Dubreuil<\/a><\/div>\n
Espa\u00f1a | Fotograf\u00eda | 70 X 100 CM<\/div>\n
24.75 \u00a2\/cm2<\/span>2186 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"Yuri\n <\/a>\n
\n
Yuri Tuma<\/a><\/div>\n
Espa\u00f1a | Fotograf\u00eda | 45 X 60 CM<\/div>\n
14.44 \u00a2\/cm2<\/span>524 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"Yuri\n <\/a>\n
\n
Yuri Tuma<\/a><\/div>\n
Espa\u00f1a | Fotograf\u00eda | 60 X 45 CM<\/div>\n
14.44 \u00a2\/cm2<\/span>524 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"Yuri\n <\/a>\n
\n
Yuri Tuma<\/a><\/div>\n
Espa\u00f1a | Fotograf\u00eda | 69 X 46 CM<\/div>\n
14.44 \u00a2\/cm2<\/span>759 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"Yuri\n <\/a>\n
\n
Yuri Tuma<\/a><\/div>\n
Espa\u00f1a | Fotograf\u00eda | 69 X 46 CM<\/div>\n
14.44 \u00a2\/cm2<\/span>759 <\/i><\/div>\n <\/figcaption>\n <\/figure>\n
\n \n \"Yuri\n <\/a>\n
\n
Yuri Tuma<\/a><\/div>\n
Espa\u00f1a | Fotograf\u00eda | 45 X 60 CM<\/div>\n
14.44 \u00a2\/cm2<\/span>524 <\/i><\/div>\n <\/figcaption>\n <\/figure><\/section>\n","protected":false},"excerpt":{"rendered":"

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